ANN ARBOR—He was born in New York, died in Hollywood, served in the Coast Guard, graduated from the University of Michigan, wrote a number of Broadway plays, served as president of the Screen Writers Guild, was general chairman of the Academy Awards program, and yet few would remember his name. But his Christmas classic “Miracle on 34th Street” is remembered by anyone who “believes.”

Valentine Davies‘ 1947 novel “Miracle on 34th Street” became a movie the same year, earning the author an Academy Award for the Best Original Story. The film itself was nominated for the top picture. Edmund Gwenn, who played Kriss Kringle, won an Oscar for Best Supporting Actor, and George Seaton received one of the gold statues for his screenplay of Davies’ story. Though not an award winner for this effort, child actor Natalie Wood won the hearts of viewers as Susan Walker, the little girl whose doubt in the existence of Santa Claus is transformed by her association with Gwenn’s Kriss Kringle.

“‘Miracle on 34th Street’ stands beside ‘It’s a Wonderful Life‘ as one of the two most enduring of America’s holiday movies,” says Frank Beaver, professor of film and video studies at U-M. “As with Frank Capra’s ‘It’s a Wonderful Life,’ ‘Miracle on 34th Street’ draws its continuing appeal by reaffirming ideas of faith in a modern, often-cynical world. Both also find strong sentimental appeal in the reassurance of children for whom the Christmas holiday season means so much. Davies and Seaton in ‘Miracle on 34th Street’ explore, philosophically, the always timely seasonal issues of faith and trust as the basis of real-life miracles.”

Though a 1994 remake of the story is available, most critics found it an affront to the original. “Most good things are best left alone, and ‘Miracle on 34th Street’ is surely one of them,” wrote critic Joan Ellis who felt the war-weary world of 1947 was ready to be charmed. A colorized version of the original is also available on video.

From his days at U-M where he worked on the student newspaper, theMichigan Daily, and performed in a 1925 campus opera which he co-wrote, Davies moved on to the Yale Drama School and then Hollywood where after “Miracle on 34th Street,” he wrote the baseball story turned into a movie, “It Happens Every Spring,” wrote the screenplay for James Michener’s “Bridges at Toko-Ri,” was nominated for an Oscar for best story and screenplay for “The Glenn Miller Story” and wrote and directed “The Benny Goodman Story.”

Writing talents continue to follow the path from U-M to Hollywood with such U-M grads as Dudley Nichols who wrote the script of Paramount’s “For Whom the Bell Tolls” and the original and screenplay of “This Land is Mine.” In 1935 Nichols won an Academy Award for his script of “The Informer.” He also wrote “Stagecoach,” considered one of the best Westerns ever made. Frank Gilbreth and his sister wrote “Cheaper by the Dozen” which became a hit movie with Clifton Webb and Myrna Loy. Arthur Miller‘s works became famous on Broadway and in film adaptations. John Briley received an Oscar for his screenplay of “Gandhi.”

William Brashler, a onetime Chicago police reporter and author of “The Don,” also wrote “The Bingo Long Traveling All-Stars and Motor Kings,” which became a major motion picture. And Chris Van Allsburg, artist, author, and two-time Caldecott Award winner, adapted his book “Jumanji” into the hit 1995 movie.

Todd Langen went from writing TV scripts to scripts for the first two “Teenage Mutant Ninja Turtles” films and Josh Greenfeld wrote the screenplay for “Harry and Tonto” for which Art Carney won an Oscar as best actor. David and Leslie Newman, a husband and wife screen-writing team, list in their credits Superman I, II, and III, while Kurt Luedtke a former journalist and executive editor of the Detroit Free Press wrote “Absence of Malice” which was nominated for an Oscar and the film adaptation of “Out of Africa” which won both an Oscar and a British Academy Award for best adaptation. James Burnstein wrote the screenplay for “Renaissance Man,” starring Danny DeVito, and Lawrence Kasdan wrote and co-wrote such hits as “The Empire Strikes Back,” “Return of the Jedi” and “Raiders of the Lost Ark.” He wrote and directed “Body Heat,” “The Big Chill” and “French Kiss.”

Related Links:

• It’s a Wonderful Life
• Michigan Daily
• Dudley Nichols
• William Brashler
• Todd Langen